Title: zero to zero Post by: shrikant on March 14, 2010, 11:53:10 AM The test this time at kvr is for us to make something Round. ???
What is better than a zero from a zero. ;D This one is titled Zero to Zero. Hope you will like it. Kara and other friends here. Thanks for the space and encouragement. shrikant Title: Re: zero to zero Post by: kara on March 14, 2010, 02:08:50 PM Weird theme over there, how do you make something round in music ???
I have no idea ::) Good luck with the contest 8) k Title: Re: zero to zero Post by: shrikant on March 14, 2010, 02:30:27 PM Thanks. ;D
shrikant Title: Re: zero to zero Post by: Oren on March 16, 2010, 04:02:24 AM Weird theme over there, how do you make something round in music ??? I have no idea ::) It's a form of composition where one verse can be performed repeatedly, each instance starting at the beginning of the second line of the previous...with harmonius results. A classic example is the song "Row, Row, Row Your Boat". http://en.wikipedia.org/wiki/Round_(music) Title: Re: zero to zero Post by: kara on March 16, 2010, 07:32:30 AM Thanks for the info Oren, it has a different name in French ;)
k Title: Re: zero to zero Post by: shrikant on March 17, 2010, 02:47:13 AM Weird theme over there, how do you make something round in music ??? I have no idea ::) It's a form of composition where one verse can be performed repeatedly, each instance starting at the beginning of the second line of the previous...with harmonius results. A classic example is the song "Row, Row, Row Your Boat". http://en.wikipedia.org/wiki/Round_(music) Thanks Oren for giving the definition. Here is another explanation which talks of counterpoint. I am not mentioning this in defense of my work. Nor can I claim to know exactly what this means. ??? Just another detail of academic interest. I have taken it from here.: http://en.wikipedia.org/wiki/Counterpoint Given the way terminology in music history has evolved, such music created from the Baroque period on is described as contrapuntal, while music from before Baroque times is called polyphonic. Hence, the earlier composer Josquin des Prez is said to have written polyphonic music. Homophony, by contrast with polyphony, features music in which chords or vertical intervals work with a single melody without much consideration of the melodic character of the added accompanying elements, or of their melodic interactions with the melody they accompany. As suggested above, most popular music written today is predominantly homophonic, its composition governed mainly by considerations of chord and harmony; but, while general tendencies can often be fairly strong one way or another, rather than describing a musical work in absolute terms as either polyphonic or homophonic, it is a question of degree. The form or compositional genre known as fugue is perhaps the most complex contrapuntal convention. Other examples include the round (familiar in folk traditions) and the canon. In musical composition, contrapuntal techniques are important for enabling composers to generate musical ironies that serve not only to intrigue listeners into listening more intently to the spinning out of complexities found within the texture of a polyphonic composition, but also to draw them all the more into hearing the working out of these figures and interactions of musical dialogue. A melodic fragment, heard alone, makes a particular impression; but when the fragment is heard simultaneously with other melodic ideas, or combined in unexpected ways with itself (as in a canon or fugue), greater depths of affective meaning are revealed. Through development of a musical idea, the fragments undergo a working out into something musically greater than the sum of the parts, something conceptually more profound than a single pleasing melody. shrikant |